000 03640cam a2200553Ki 4500
001 9781003105329
003 FlBoTFG
005 20220509192928.0
006 m o d
007 cr |n|||||||||
008 200924t20212021nyu ob 000 0 eng d
040 _aOCoLC-P
_beng
_erda
_cOCoLC-P
020 _a1000214311
_qelectronic book
020 _a9781000214239
_qelectronic book
020 _a1000214230
_qelectronic book
020 _a9781000214277
_qelectronic book
020 _a1000214273
_qelectronic book
020 _a9781003105329
_qelectronic book
020 _a1003105327
_qelectronic book
020 _a9781000214314
_q(electronic bk.)
020 _z9780367615154
_qhardcover
020 _z9780367615192
020 _z0367615193
024 7 _a10.4324/9781003105329
_2doi
035 _a(OCoLC)1196839110
_z(OCoLC)1196261359
035 _a(OCoLC-P)1196839110
050 4 _aPR2971.A78
_bA85 2021eb
072 7 _aLIT
_x025010
_2bisacsh
072 7 _aLIT
_x020000
_2bisacsh
072 7 _aLIT
_x000000
_2bisacsh
072 7 _aDS
_2bicssc
082 0 4 _a822.3/3
_223
245 0 0 _aAsian interventions in global Shakespeare :
_b'all the world's his stage' /
_cedited by Poonam Trivedi, Paromita Chakravarti and Ted Motohashi.
264 1 _aNew York, NY :
_bRoutledge,
_c2021.
264 4 _c©2021
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
520 _aThis volume critically analyses and theorises Asian interventions in the expanding phenomenon of Global Shakespeare. It interrogates Shakespeare's universality' from Asian perspectives: how this has been modified or even replaced by the global bard' as a recognisable brand, and how Asian Shakespeares have contributed to or subverted this process by both facilitating the worldwide dissemination of the bard's plays and challenging and resisting the very templates through which they become globally legible. Critically acclaimed Asian productions have prominently figured at premier Western festivals, and popular Asian appropriations like Bollywood, manga and anime have created new kinds of globally accessible Shakespeare. Essays in this collection engage with the emergent critical issues: the efficacy of definitions of the local', global', transnational' and cosmopolitan' and of the liminalities and mobilities in between. They further examine the politics of West' and East', the evolving markers of the Asian' and the equation of the glocal' with the Asian'; they attend to performance and archiving protocols and bring the current debates on translation, appropriation, and world literature to speak to the concerns of global and transnational Shakespeare. These investigations analyse recent innovative Asian theatre productions, popular cinematic and manga appropriations and the increasing presence of Shakespeare in the Asian digital sphere. They provide an Asian standpoint and lens in rereading the processes of cultural globalisation and the mobilisation of Shakespeare.
588 _aOCLC-licensed vendor bibliographic record.
600 1 0 _aShakespeare, William,
_d1564-1616
_xAppreciation
_zAsia.
600 1 0 _aShakespeare, William,
_d1564-1616
_xStage history
_zAsia.
650 7 _aLITERARY CRITICISM / General
_2bisacsh
700 1 _aTrivedi, Poonam,
_d1949-
_eeditor.
700 1 _aChakravarti, Paromita,
_eeditor.
700 1 _aMotohashi, Ted,
_eeditor.
856 4 0 _3Taylor & Francis
_uhttps://www.taylorfrancis.com/books/9781003105329
856 4 2 _3OCLC metadata license agreement
_uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
999 _c126722
_d126722