000 | 03837cam a2200577Ki 4500 | ||
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001 | 9780367896584 | ||
003 | FlBoTFG | ||
005 | 20220509192913.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 200212s2020 nyu ob 001 0 eng d | ||
040 |
_aOCoLC-P _beng _erda _epn _cOCoLC-P |
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020 |
_a9780367896584 _q(electronic bk.) |
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020 |
_a0367896583 _q(electronic bk.) |
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020 |
_a9781000032727 _q(electronic bk. : Mobipocket) |
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020 |
_a1000032728 _q(electronic bk. : Mobipocket) |
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020 |
_a9781000032697 _q(electronic bk. : PDF) |
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020 |
_a1000032698 _q(electronic bk. : PDF) |
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020 |
_a9781000032758 _q(electronic bk. : EPUB) |
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020 |
_a1000032752 _q(electronic bk. : EPUB) |
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020 | _z9780367896577 | ||
020 | _z0367896575 | ||
035 | _a(OCoLC)1140387601 | ||
035 | _a(OCoLC-P)1140387601 | ||
050 | 4 |
_aPS374.A65 _bH45 2020eb |
|
072 | 7 |
_aLIT _x004020 _2bisacsh |
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072 | 7 |
_aLIT _x024050 _2bisacsh |
|
072 | 7 |
_aLIT _x024000 _2bisacsh |
|
072 | 7 |
_aDS _2bicssc |
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082 | 0 | 4 |
_a813/.509 _223 |
100 | 1 |
_aHellén, Anna, _eauthor. |
|
245 | 1 | 0 |
_aApocalyptic territories : _bsetting and revelation in contemporary American fiction / _cAnna Hellén. |
264 | 1 |
_aNew York : _bRoutledge, _c2020. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aRoutledge studies in contemporary literature | |
505 | 0 | _aIntroduction -- 1. A Spatial Approach to Apocalypse -- 2. "That Theory of Paradise": Rick Moody's Suburban Apocalypse -- 3. "A City Better than Perfect": Harlem as the New Jerusalem in Toni Morrison's Jazz -- 4. McCarthy's Sourceless Apocalypse in Blood Meridian and The Road -- 5. Out of the Pit: Southern Apocalypse and the Female Body in Ward's Salvage the Bones -- 6. The Story is Telling Us: Apocalyptic Geopolitics in Michael Chabon's The Yiddish Policemen's Union -- Conclusion. | |
520 |
_a"Research on the relationship between the apocalyptic tradition and the literary imagination has typically espoused a temporal approach which in one way or another revolves around the order of events that precedes the end of history and the ensuing establishment of a new world. This study, by contrast, explores the spatial dimensions of apocalypse, more precisely the way in which the settings of the Book of Revelation are taken up by contemporary American writers and related to more general but also more contested concerns of territorial integrity and national identity. Influenced by Lefebvre's theories, the study understands territory not simply as the container of certain structures and practices but also as the result of them, just as bird song is not framed by but rather constructive of territorial borders. It is the equivalent of such 'songs' that this book seeks to listen in on, i.e. the apocalyptic narratives that have been passed on through the centuries to define and sustain territory on a local, regional, and national level, and the way in which seven novels by Rick Moody, Toni Morrison, Jesmyn Ward, Cormac McCarthy, and Michael Chabon respond to them"-- _cProvided by publisher. |
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588 | _aOCLC-licensed vendor bibliographic record. | ||
650 | 0 |
_aAmerican fiction _y20th century _xHistory and criticism. |
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650 | 0 |
_aAmerican fiction _y21st century _xHistory and criticism. |
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650 | 0 | _aApocalypse in literature. | |
650 | 0 | _aSpace in literature. | |
650 | 0 | _aBoundaries in literature. | |
650 | 0 | _aSetting (Literature) | |
650 | 0 | _aIdentity (Psychology) in literature. | |
650 | 7 |
_aLITERARY CRITICISM / American / General _2bisacsh |
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856 | 4 | 0 |
_3Taylor & Francis _uhttps://www.taylorfrancis.com/books/9780367896584 |
856 | 4 | 2 |
_3OCLC metadata license agreement _uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf |
999 |
_c126205 _d126205 |