000			02959nam a22004815i 4500
001			978-3-642-28430-4
003			DE-He213
005			20140220083312.0
007			cr nn 008mamaa
008			120307s2012 gw | s |||| 0|eng d
020			_a9783642284304 _9978-3-642-28430-4
024	7		_a10.1007/978-3-642-28430-4 _2doi
050		4	_aHD28-70
050		4	_aHD2321-4730.9
072		7	_aKCD _2bicssc
082	0	4	_a338.6 _223
100	1		_aTschmuck, Peter. _eauthor.
245	1	0	_aCreativity and Innovation in the Music Industry _h[electronic resource] / _cby Peter Tschmuck.
250			_a2nd ed. 2012.
264		1	_aBerlin, Heidelberg : _bSpringer Berlin Heidelberg, _c2012.
300			_aXI, 303p. 40 illus. _bonline resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
520			_aWhy did jazz become a dominant popular music genre in the 1920s and rock 'n' roll in the 1950s? Why did heavy metal, punk rock and hiphop find their way from sub-cultures to the established music industry? What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century? These and other questions are answered by Peter Tschmuck through an integrated model of creativity and innovation that is based on an international history of music industry since Thomas A. Edison invented the phonograph in 1877. Thus, the history of the music industry is described in full detail. By discussing the historic process of music production, distribution and reception the author highlights several revolutions in the music industry that were caused by the inference of aesthetic, technological, legal, economic, social and political processes of change. On the basis of an integrated model of creativity and innovation, an explanation is given on how the processes and structures of the present music industry will be altered by the ongoing digital revolution, which totally changed the value-added network of the production, dissemination and use of music. For the second edition, the author has reworked chapter 9 in order to include all the developments which shaped the music industry in the first decade of the 21st century – from Napster to cloud-based music services and even beyond.
650		0	_aEconomics.
650		0	_aHistory.
650		0	_aMusic.
650		0	_aIndustrial organization (Economic theory).
650	1	4	_aEconomics/Management Science.
650	2	4	_aIndustrial Organization.
650	2	4	_aMusic.
650	2	4	_aR & D/Technology Policy.
650	2	4	_aHistory.
650	2	4	_ae-Commerce/e-business.
710	2		_aSpringerLink (Online service)
773	0		_tSpringer eBooks
776	0	8	_iPrinted edition: _z9783642284298
856	4	0	_uhttp://dx.doi.org/10.1007/978-3-642-28430-4
912			_aZDB-2-SBE
999			_c102808 _d102808