Musical Creativity (Record no. 108508)

000 -LEADER
fixed length control field 04555nam a22005175i 4500
001 - CONTROL NUMBER
control field 978-3-642-24517-6
003 - CONTROL NUMBER IDENTIFIER
control field DE-He213
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20140220083815.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr nn 008mamaa
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 111102s2011 gw | s |||| 0|eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9783642245176
-- 978-3-642-24517-6
024 7# - OTHER STANDARD IDENTIFIER
Standard number or code 10.1007/978-3-642-24517-6
Source of number or code doi
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number NX260
072 #7 - SUBJECT CATEGORY CODE
Subject category code H
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code UB
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code COM018000
Source bisacsh
072 #7 - SUBJECT CATEGORY CODE
Subject category code ART000000
Source bisacsh
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 004
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Mazzola, Guerino.
Relator term author.
245 10 - TITLE STATEMENT
Title Musical Creativity
Medium [electronic resource] :
Remainder of title Strategies and Tools in Composition and Improvisation /
Statement of responsibility, etc by Guerino Mazzola, Joomi Park, Florian Thalmann.
264 #1 -
-- Berlin, Heidelberg :
-- Springer Berlin Heidelberg,
-- 2011.
300 ## - PHYSICAL DESCRIPTION
Extent XIV, 337p. 146 illus., 114 illus. in color.
Other physical details online resource.
336 ## -
-- text
-- txt
-- rdacontent
337 ## -
-- computer
-- c
-- rdamedia
338 ## -
-- online resource
-- cr
-- rdacarrier
347 ## -
-- text file
-- PDF
-- rda
490 1# - SERIES STATEMENT
Series statement Computational Music Science,
International Standard Serial Number 1868-0305
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Part I Introduction -- Chap. 1 What the Book Is About -- Chap. 2 Oniontology -- Part II Practice -- Chap. 3 The Tutorial -- Chap. 4 Leitfaden -- Chap. 5 The General Method of Creativity -- Chap. 6 Getting off the Ground -- Chap. 7 Motivational Aspects -- Chap. 8 Rhythmical Aspects -- Chap. 9 The Pitch Aspect -- Chap. 10 The Harmonic Aspect -- Chap. 11 Melodic Aspects -- Chap. 12 The Contrapuntal Aspect -- Chap. 13 Instrumental Aspects -- Chap. 14 Large Form Aspects -- Chap. 15 Community Aspects -- Chap. 16 Commercial Aspects -- Chap. 17 Dodecaphonic Aspects -- Part III Theory -- Chap. 18 Principles of Creative Pedagogy -- Chap. 19 Material -- Chap. 20 Historical Principles -- Chap. 21 Present Principles -- Chap. 22 Our Principles -- Chap. 23 First Examples -- Chap. 24 Psychological Perspectives -- Chap. 25 Software -- Chap. 26 Composition and Improvisation -- Part IV Case Studies -- Chap. 27 Ludwig van Beethoven’s Op109: Six Variations -- Chap. 28 Beethoven’s Op109: Improvisational Aspects -- Chap. 29 Our CD -- Chap. 30 Boulez: Structures Recomposed -- Chap. 31 The Escher Theorem -- Part V Future Perspectives -- Chap. 32 Is There a General Scheme for Creativity? -- Chap. 33 The Balanced Dancing Performer -- References -- Bibliography.
520 ## - SUMMARY, ETC.
Summary, etc This book represents a new approach to musical creativity, dealing with the semiotics, mathematical principles, and software for creativity processes. After a thorough introduction, the book offers a first practical part with a detailed tutorial for students in composition and improvisation, using musical instruments and music software. The second, theoretical part deals with historical, actual, and new principles of creative processes in music, based on the results and methods developed in the first author’s book Topos of Music and referring to semiotics, predicative objects, topos theory, and object-oriented concept architectures. The third part of the book details four case studies in musical creativity, including an analysis of the six variations of Beethoven's sonata op. 109, a discussion of the creative process in a CD coproduced in 2011 by the first and second authors, a recomposition of Boulez’s "Structures pour deux pianos" using the Rubato software module BigBang developed by the third author, and the Escher theorem from mathematical gesture theory in music. This is both a textbook addressed to undergraduate and graduate students of music composition and improvisation, and also a state-of-the-art survey addressed to researchers in creativity studies and music technology. The book contains summaries and end-of-chapter questions, and the authors have used the book as the main reference to teach an undergraduate creativity studies program and also to teach composition. The text is supported throughout with musical score examples.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Computer science.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Information systems.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Music.
650 14 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Computer Science.
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Computer Appl. in Arts and Humanities.
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Music.
650 24 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Media Design.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Park, Joomi.
Relator term author.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Thalmann, Florian.
Relator term author.
710 2# - ADDED ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element SpringerLink (Online service)
773 0# - HOST ITEM ENTRY
Title Springer eBooks
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Display text Printed edition:
International Standard Book Number 9783642245169
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Computational Music Science,
-- 1868-0305
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier http://dx.doi.org/10.1007/978-3-642-24517-6
912 ## -
-- ZDB-2-SCS

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